Short Bio:


Described as "a polyrhythmic force" (JazzTimes), multidisciplinary drummer, percussionist and composer Brian Shankar Adler transcends the terrain between genre and geographic region, asking: how can we find connection through rhythm? Brian Shankar Adler has been recorded on over forty albums including his most recent works, For a Gallery on the Moon (Chant Records, 2020) and Fourth Dimension (Chant Records, 2019). His music video, Mantra won best music video at Transcinema International Film Festival in Peru and official selection at Quiet City Film Festival in New York City. Adler has worked with Guillermo Klein, La Bomba De Tiempo, Frank London, Kamala Sankaram, Elizabeth Swados, among others and has been featured in Modern Drummer Magazine, DownBeat, and NPR. In 2013, he published "A World of Percussion," connecting rhythm, language and environment through a study of shared musical concepts from around the globe. Adler is on faculty at Bates College and University of Maine.


Long Bio:


Brian Shankar Adler is a multidisciplinary drummer, percussionist and composer. His work transcends the terrain between genre and geographic region, asking: how can we find connection through rhythm? Adler has been described as being “a polyrhythmic force… New York City gritty yet still somehow capable of evoking the delicacy of a summer breeze…” by Brad Cohan, JazzTimes.


Brian Shankar Adler grew up in an ashram and began his rhythmic studies on the Indian mridang at the age of five. He received a jazz percussion scholarship to attend New England Conservatory where he was encouraged to discover his own artistic voice through jazz, Indian, South American, Jewish and western classical music traditions. In Boston, Adler collaborated with Korean vocalist Sunny Kim, releasing three albums and touring the northeast and Europe.


In 2005, with a globally influenced sonic palette and a forward-thinking rhythmic language in tow, Adler moved to New York City. He performed on street corners and dive bars, to Carnegie Hall, Jazz Standard, Lincoln Center, Roulette, Rubin Museum and The Stone. In 2013, Adler was a guest soloist with La Bomba de Tiempo in Buenos Aires, Argentina. He returned to the states to develop Human Time Machine, a percussion ensemble that held a three year residency at Barbès as well as performances at the Queens World Fair and Roulette. Adler performed, recorded and toured with Ballet Hispanico’s “Doña Perón,” Chelsea Clinton's film, "Of Many," Kamala Sankaram’s operas, “Thumbprint” (LA Opera), “A Rose” (Houston Grand Opera) and “The Jungle Book” (Glimmerglass), and Elizabeth Swados’ final two theatrical productions, “The Nomad” and “The Golem.” In 2019, Adler traveled to Kuwait to perform with oudist, Ahmed Alshaiba. Adler has also worked with: Cochemea, Sheila Jordan, Guillermo Klein, The Michael Leonhart Orchestra, Frank London, Kate McGarry, Meg Okura, Talujon, Emilio Teubal and Ray Vega. He is a member of the eclectic rock band Bombay Rickey and performs environmental-activism with Bash the Trash.


Brian Shankar Adler has been recorded on over forty albums including his most recent works, “For a Gallery on the Moon” (Chant Records, 2020) and “Fourth Dimension” (Chant Records, 2019). His music video, “Mantra” won best music video at Transcinema International Film Festival in Peru and official selection at Quiet City Film Festival in New York City. Adler has also been featured in Jason Bivin’s book “Spirits Rejoice,” Newsweek, JazzTimes, NPR, Downbeat and Modern Drummer Magazine. In 2013, he published "A World of Percussion," connecting rhythm, language, mathematics and environment through a study of shared musical concepts from around the globe.


Adler currently resides in Portland, ME. He is on faculty at: Bates College, University of Maine, and Vermont Jazz Center.