Described as "a polyrhythmic force… New York City gritty yet still somehow capable of evoking the delicacy of a summer breeze” (JazzTimes), multidisciplinary drummer, percussionist and composer Brian Shankar Adler transcends the terrain between genre and geographic region, asking: how can we find connection through rhythm?
Brian Shankar Adler has performed in caves, forests and adjacent glacial ice fields as well as Carnegie Hall, Jazz Standard, Lincoln Center, Roulette, Rubin Museum and The Stone. He has been recorded on over forty albums including his solo works, For a Gallery on the Moon (Chant Records, 2020) and Fourth Dimension (Chant Records, 2019). His music video, “Mantra” won best music video at Transcinema International Film Festival in Peru and an official selection at Quiet City Film Festival in New York City. Adler has also been featured in Jason Bivin’s book Spirits Rejoice, Newsweek, NPR, Downbeat and Modern Drummer Magazine. He has recorded and/or toured with Ballet Hispanico’s Doña Perón, Chelsea Clinton's film Of Many, Kamala Sankaram’s operas Thumbprint (LA Opera), A Rose (Houston Grand Opera) and The Jungle Book (Glimmerglass), and Elizabeth Swados’ final theatrical productions The Nomad and The Golem. In 2013, Adler was the guest soloist with La Bomba de Tiempo in Buenos Aires, Argentina. He returned to the states to create Human Time Machine, a percussion ensemble that would hold a three year residency at Barbès as well as performances at the Queens World Fair and Roulette. Adler has traveled to Germany to perform with singer Sunny Kim and Kuwait to perform with oudist Ahmed Alshaiba. He was a composer in residence at Antenna Cloud Farm and was commissioned to compose and arrange several pieces for Palaver Strings' 2022-2023 tours. Adler has also worked with: Pablo Aslan, Sheila Jordan, Guillermo Klein, The Michael Leonhart Orchestra, Frank London, Matt Moran, Kate McGarry, Meg Okura, Talujon, Emilio Teubal and Ray Vega. He is a member of the eclectic surf-noir band Bombay Rickey and performs environmental-activism with Bash the Trash. In 2013, Adler published "A World of Percussion" connecting rhythm, language, mathematics and environment through a study of shared musical concepts from around the globe. He is currently on faculties at: Bates College, University of Maine, and Vermont Jazz Center.